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Bach Methodology

Since I left the Midwest and moved back to Philadelphia a couple of years ago, I haven’t made music with any period instrumentalists here.  In early January this year, I debuted my violoncello da spalla, beautifully built by Dmitry Badiarov, in a concert of Bach cantata BWV 41 with the period instruments, but that was not in Philadelphia— it was in Bloomington, Indiana.  I should be networking harder to make early music connections here, indeed, but it isn’t easy for me… It is so true that your networking base and strong connections are developed while you’re in school, and it gets much harder after that. But since I left Bloomington, […]

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Ketchup Talk

This blog entry isn’t really about ketchup… it’s about vibrato, the intentionally produced pitch pulsation in a musical sound.  Why ketchup then?  Here’s the story.  Recently I saw an image post on facebook by a musician from Germany.  It was a picture of a page from a magazine or something, and the page had a quote in large font sizes that read: “Vibrato on every note is like putting ketchup all over the music.” I thought this is a quite good analogy— one that’s as good as it could get. I don’t mind ketchup at all— I just don’t use it as much, but once in a while I feel

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