cello

My fixation on the cello playing stems from my fascination with basso continuo. It’s not that continuo part is extremely important in baroque music — of course it is — but what fascinates me most is how continuo playing can dictate the outcome of a whole performance.  The leader of the continuo group is like the quarterback of the offensive side of a football team; not only that he/she can drive the whole ensemble forward, but also that he/she can make the soloist(s) perform so much better, in the same way a good QB can make the offensive skill position players play lights-out. My mentor Hidemi Suzuki is, by far, […]